Arthur Pendragon Near Eastern King and Legend
Happy? If you've been waiting to binge on the newest television show from comic book writer and magazine Publisher Grant Morrison, then rejoice; Happy! is now streaming on Netflix UK. The ultra violent and semi-animated show about a child’s imaginary friend come to life is a departure from Morrison's normal foray into superheroes that rub elbows with New Gods although it does maintain the communal theme between the two works of immaterial beings tasked with material challenges. The New Gods a Jack Kirby creation, are the cosmic superheroes that replaced the Norse gods after Ragnarok. These von Daniken-like deities participated in a prehistoric divine invasion of early human life. In this reinterpretation of his Scottish genetic ancestry through the divinely engineered hero Aurakles, Morrison has cast new light onto the origins of Arthurian and Herculean legends. Morrison asserts that his people originated in the Near East and migrated up to the Isle of Man thousands of years ago bringing their history and lineage of heroes with them. For Morrison this retconned fleshed out the genetic and phenotypic characteristics of Hercules, a self sacrificing hero. This created a template for the acceptance of the Classic Age hero in the Orthodox Church. What is created is a new lense to examine the legends of antiquity through and a new context to place these Western heroes of into. No longer must Hercules be the blundering strongman of Disney lore, nor the rapist of university textbooks. Via Morrison’s, "Seven Soldiers"the legendary figure is once again restored to the pious status that won him esteem and acceptance amongst the Mahayana Buddhists of northern India. Channeled through Aurakles the Hercules of myth is endowed with the familiar gifts of Arthurian legends including Excalibur and Merlin, a magical being of living language. The hero is also gifted with the evolutionary development of the anterior cerebral cortex and the abilities of executive function. Packaging these legends in the modern comic book mega event provides a new vehicle for these almost forgotten truths.
Charles Stuart II the First African American King of England
“Spoilers! I am reborn.” The American Christ raised his black fist to the midnight sky, and Kirby Lines radiated around it. Shiloh, the name of the biblical messiah, the orphaned brother; rose from his grave, alive with his god power. His Highpower. The Grant Morrison comic mega event from DC comics; Seven Soldiers introduced comics first ethically Black Israelite superhero. Could the film debut of Kendrick Lamar be at hand?
Black Israelites or Black Hebrews are a group(s) of black Americans, Black Caribbean's and native Americans who identify themselves as the native peoples of Earth and the Chosen People of the god of Abraham. Some groups are listed as Hate groups for their extreme patriarchy and curiously enough, anti-Semitism.
Black Hebrews do not identify as an African people. They state that they are phonetically different from black Egyptians and Nubian Africans of North Africa. What is it that places this almost 300 year old belief on the radar of anti-hate groups? The Black Hebrews, using the King James Bible, which they cite, is written by Whites, identifies them as the people of legend, royalty and the modern day Israel a product of the Biblical Devil.
Black aristocrats, and royalty and controversially also kingship lies hidden in the secret history of black Hebrews in Europe. Black Nobility in Europe King Charles Stuart II; the so called “Black boy” and European art’s; Blue Men all portray individuals with attributes typical of black and Indian peoples. In the case of Charles Stuart II King of England it is also etched into his name since Stuart means, “swarthy” in old English which was also used as “black”. Stuart also has a Hebrew and Scottish meanings, which comes as no surprise since Morrison has already made a connection between his people and their Semitic history in Seven Soldiers.
In the comic, the world's first superhero, Aurakles has been captured by the villains. Shilo as Mister Miracle attempts to exchange his life for Aurakles freedom. Phantasmically possessed mobster; Boss Darkseid levels a pistol at the hero and with one bullet to the heart, kills him. This sacrifice maybe more than a story vehicle to progress a plot. As Morrison has used Shilo’s ethnic heritage to reinforce the mechanism of his apotheosis, could the wooly and red haired Aurakles be Shilo’s great great uncle Essau? If so does Shilo freeing Essau recalibrate biblical prophecy and mend those ancient fraternal wounds, or might Morrison be saying that American males are brothers despite their deep historic differences?
Shilo Norman the mortal superhero is reborn from death, enlivened with a new found governance of the Soul and the mystical qualities it possesses. What is the place of the Soul in this world? Capitalists cannot purchase it outright and must rely on alternative methods to squeeze out any of its caloric content. The Left has all but declared the Soul to be a fiction and an impediment to so-called progress. What about the individual being, are they entitled to their Soul or is it simply property on loan from one cosmic deity or another? As usual the answers are inside.
Elvis, American Proto-Cosplay Queer
“But I'm a Champion, so I turned tragedy to triumph Make music that's fire, spit my soul through the wire.”
-Kayne
G_d extended his melanated finger to the King. “Speak the Word.” commanded Highfather. Elvis lifted his eyes to the etheric glow of the New God as he inhaled through his nose. “$hazam!” The apotheopotic King died on the potty. Lé empereur devient l'étoile. No exact account of Elvis death exist as his zealots have done much with their power and privilege to obscure the truth of his demise at age forty-two.
Next April fifth, DC Films will debut; “Shazam” the silver screen debut of Capt. Marvel (™) who isn’t the Captain Marvel(™) teased by Sam Jackson in Avengers (™) 3. Choosing to rebrand the original 1939 male character to avoid confusion with the now female Disney/Marvel character. While Disney’s feminist commodity will surely pay dividends, bookended by mega-films The Infinity Wars(™), Shazam (™) isn’t such a sure thing and hangs in a fragile franchise fiasco. If any of the DC studios fail to provide a return, the films are shelved indefinitely as is the case for the next solo Man of Steel(™)film. This franchise needs a hero who just might turn out to be more of an anti-hero. Dwayne “The Rock” Johnson (™) famously let his loyal fan following choose, via Twitter 2014, whether to star as the films titlitur character, or the series villain; Black Adam(™) Voting for the villain triumphed over the hero for demographic champion. Johnson was awarded a solo film in the series, and climbed to stardom with more than a little inspiration from the King.
The Rock(™) sports a lineage that can be easily traced through pop culture to Elvis. Recently Mr. Johnson performed a medley of Elvis tunes, for the Troops(™) at the USO 2018 Show. The Disney star roleplayed Elvis sans the trademark hair instead opting to reinforce the bald is beautiful look. In Disney’s Moana, Johnson showed the international community his singing chops. The people’s champ (™) did not disappoint, belting out such hits as Hounddog and Jailhouse Rock, all while sporting Elvis’ famous 1977 TCB⚡️(™)farewell tour jumpsuit complete with cape, eagle glyph, and lighting sequence.
Elvis is a gravitational signitarity of conspiracy theory, and the premier culture generating machine of the American 20th century. From posthumous gas station sightings so numeros Tupac would be or; is envious. One bit of this internet fake news involved Elvis, sensing his death, launches his final flight into stardom clothed in the super hero costume of his childhood hero, Captain Marvel Jr. (™) While the origin story of the world first non-sidekick teen superhero will most certainly be updated én film and subject to copyright ligitistion, the concept of a disadvantaged adolescent empowering himself with just his voice, struck a deep cord in young Elvis’ heart. The American King, 1977 was ready to sacrifice himself for others. Selflessly patient zero for the now staple American diet of exotic sugars and then expensive gmo produced food and pharmacology, Elvis sacrificed so that rock & roll may live on in the soul of America. Our cultural Champion, adorned in his superhero(™) costume, became the voice of tens of millions of newly inspired individuals.
He died as close to the truth as shame would allow thus securing his honor. By living free of objectively imposed societal norms, Elvis embodied his inner child and freed himself of any karmatic rosebuddary. Never needing Zeus’ permission, Elvis consoled himself in the immortal pantheon of American stardom.
Dwayne “the Rock” Johnson abed his honor to the roll of Black Adam in Twitter when he announced his contract signing with DC studios in 2014. The Disney star was recently quoted saying that filming on his stand alone franchise wouldn’t be able to begin until maybe fall 2019, but no promises as his filming slate is very full. Will the Rock invoke the King as the Star shoulders the mantle or “Will the child within [his]heart rise above?”(c)
disinfo is dead, long live disinformation!
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